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Stones of Healing: German

Rock-crystal Medical men in Rome, in the first century, attested that no better cautery for the human body could be used than a crystal ball acted upon by the sun's rays, and this use of the material seems to have been very general at that time. In his commentary on Andrea Bacci's gem-treatise, Wolfgang Gabelchover, the German translator, says that a German name of rock-crystal in his time, the early sixteenth century, was Schwindelstein ("vertigo-stone"), because it was believed to preserve the wearer from attacks of dizziness. Other remedial or physical effects of rock-crystal are also noted. Taken as a powder in dry wine, it was a cure for dysentery, and the physician, Christopher Barzizius, taught that if its powder were mixed with honey and administered to mothers, they would be the better able to nurse their offspring. The following lines by Robert Wilson (d. 1600), a popular sixteenth-century comedy writer, credit amber and rock-crystal with qualities not commonly ascribed to them, although the fancied growth of rock-crystal from a piece of ice probably explains its supposed styptic virtue:

LUCRE: And if they demand wherefore your wares and merchandise agree, You must say, jet will take up a straw; amber will make one fat; Coral will look pale when you be sick, and crystal stanch blood.

That a remedial tincture of rock-crystal could be made was firmly believed by the Danish chemist, Ole Borch (Olaus Borrichius, 1626-1690), and in his chemical lectures he gives the following directions as to the processes to be employed. A rock-crystal was to be heated to a high temperature and then cast, while still warm, into cold water; it would thereupon break up into small fragments. By heating these particles together with tartaric salts, the whole mass would be reduced to a liquid solution. Half of the quantity, after cooling off, was to be put into a distilling glass with the best "spirit of wine" and was to be digested in a bath of lukewarm water. It would then be seen that the solution became red. This process is repeated several times, and finally the tincture is concentrated by distilling off the spirit of wine, leaving the pure rock-crystal tincture. Its remedial quality is stated to have been applicable to dropsy, scrofula, or hypochondriac melancholia, if it were taken in doses up to forty drops in a proper medium. To make the magisterium of rock-crystal, a pound of the substance was to be heated to a high temperature and then dipped into spirits of vitriol. After this operation had been repeated ten times, the rock-crystal was to be ground, on a marble slab, to a very fine powder, which was a sure remedy for gout and for calculi formed in any of the bodily organs. The spirits of vitriol in which the rock-crystal had been dipped was sometimes filtered through blotting-paper and sold as crystal spirits of vitriol; this was asserted to be a powerful diuretic, from seven to ten drops being given at a dose in a cup of meat broth.

As late as the last half of the eighteenth century a Dr. Bourgeois recommended the use of rock-crystal, calcined and ground, as a very excellent astringent in the most obstinate cases of diarrhoea. In reporting this, Valmont de Bomare (1731-1807) adds that it would be desirable to know the nature of the acid in rock-crystal and its state of combination. Here, as in all cases where some of the constituents of precious stones may really possess certain curative powers, a better result can be attained by using these constituents in other forms or combinations.

The wonderful therapeutic virtues of a Scotch lake named Loch-mo-naire are explained by a local legend as having arisen from certain magic crystals which had been cast into its waters. These crystals, if placed in water, rendered the liquid a potion of great curative power. They were the property of a woman who had gained by their possession a great reputation as a healer, but her success attracted the envy of a neighbor who determined to secure for himself the woman's wonder-working stones. In pursuance of this design he came to her, feigning illness. She saw through his deception and sought safety in flight, but he pursued her and was gaining rapidly on her, when she threw the stones into the waters of the lake, crying out the Gaelic word noire, "shame," and uttering the wish that its waters should be rendered powerful to cure the sick, all except those of the clan Gordon to which the would-be thief belonged. As the correct translation of the name of the lake is said to be not "Lake of Shame" but "Serpent Lake," the legend appears to have no good foundation, but is perhaps as true as any of the popular tales purporting to explain the origin of the virtues of healing springs or waters. To many stones was attributed the power of transmitting a certain remedial virtue to water or other liquid in which they were immersed. This, as we have related, was the case with the white stone that St. Columba sent to King Brude at Inverness when the king's druid priest Broichan was suffering from disease. A peculiarity of this stone was that if it were required in the case of a person about to die, it would disappear from view. Thus its remedial powers could never be put to test unless success were assured. There can be no reasonable doubt that some remarkable cures have been effected by means of relics, or by drinking the waters of a spring believed to have been pointed out by some divine vision. From a purely scientific standpoint this can be explained as the result of an extraordinary stimulation of the nerve-centres, caused by the rapt enthusiasm of religious faith. The relics, or the pure water, simply serve as an object about which this faith crystallizes, so to speak, and gains a concrete and external form, which in turn reacts upon the mind of the believer. It is a well-known fact that a great shock, or imminent peril, has sometimes suddenly restored the power of motion to those who have long been paralyzed. This view does not, however, necessarily exclude a religious interpretation of these phenomena when they are produced by religious impressions, for the divine will manifests itself by natural means, and a true understanding of the regular and normal working of these means should give us a deeper, truer, and purer faith. Sapphire As a substance for medicinal use, the Hindus declared the sapphire to be bitter to the taste and lukewarm. It had a remedial action against phlegm, bile and flatulence. A similar action is ascribed to several other precious stones, the medicinal qualities attributed to them being less differentiated among the Hindus than they were with the Greeks and Romans, or in medieval times.

To drink of a potion made from the sapphire was said to be helpful for those who had been bitten by a scorpion, and for those suffering from intestinal ulcerations, or from growths in the eye; it also prevented boils and pustules, and healed ruptured membranes. Here we see that the sapphire shared with the emerald the power of strengthening the sight, and one authority asserts that if anyone looked long and intently at a sapphire, his eyes would be protected from all injury, and nothing harmful could befall them. A medieval test of the antitoxin quality of the sapphire was to place a spider in a vessel to whose mouth a sapphire was so suspended that it would swing backwards and forwards just above the spider. The supposedly venomous insect was not long able to resist the power of the stone and fell a victim to its virtues. Wolfgang Gabelchover gravely asserts that this experiment had often been successful.

The removal of particles of sand or dust from the eye was said to be successfully accomplished by "warming" a sapphire over the eye, the virtue of the stone thus passing into the eye and giving the organ the strength necessary for the ejection of the troublesome foreign body. This attribution of a chemical action to the sapphire in eye-trouble may be added to the many statements of its general curative powers in eye-diseases. Topaz The thirteenth century Hindu physician Naharari states that the topaz tastes sour and is cold. It is a remedy for flatulence and is a most excellent appetizer. Any man who wears this stone will be assured of long life, beauty and intelligence. Many a curious legend has been woven about the old belief that the topaz quenched thirst. However, popular fancy does not endow any and every topaz with this power. One of these thirst-removing topazes is said to have been in the possession of a celebrated Hindu necromancer, whose services had been sought by one of the petty rajahs of India on the day of a decisive battle. Either this necromancer's art must have failed him at the critical moment, or else a more powerful enchanter guided the fortunes of the enemy, for the latter prevailed and the owner of the potent topaz was left dying upon the field of battle. Alongside him was a poor wounded soldier who was clamoring for a drop of water to quench his burning thirst. Hearkening to this prayer, the dying necromancer threw his topaz to the soldier, telling him to place it upon his heart. No sooner did he do so than his thirst passed away, and we must suppose that his wounds were also healed, for we are told that on the morrow he sought everywhere on the battle-field for the corpse of his benefactor but could find no trace of it.

Tavernier, the great French Seventeenth Century jeweler-traveler, the first European to visit the ruby mines, took with him a number of emeralds, generally large. These were often cut from the top of the crystal, usually darker in color, and simply domed off, preserving the original hexagonal shape. Remarkable specimens are in the Indian Museum and the South Kensington Museum, part of the jewels of Thebaud, King of Burma. The finest emeralds of this type belonged to the late Sultan of Turkey; one of the finest, a remarkable gem, cut rounded en cabochon, was with the Bijoux du Sultan, S. M. Abd-Ul-Hamid II, sold at the Galerie Georges Petit, November 28, 1914. It weighed 44 3/16 carats (old system) or 45.29 carats (metric system). A remarkable charm is a hemispherical, transparent aquamarine, with figure of hump bull, found in ancient Babylonia. (See color plate.) A quaint, ancient amulet is carved out of fine knuckle bone, an eagle with spread wings engraved on one side; portrait of a Parthian King. (See color plate.) A Babylonian idol's eye, of sardonyx, was pierced and worn as charm against the Evil Eye; later engraved with portrait of a Parthian King. (See color plate.)