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Ring Superstitions: Londesborough (Relics of martyrs and saints)

Relics of martyrs and saints were frequently inserted in rings: in the Londesborough Collection is a silver reliquary, probably intended for the thumb. It has a heart engraved on a lozenge, the reliquary being enclosed beneath. It was found in the ruins of the abbey of St. Bertin, at St. Omer. In the possession of Lady Fitz Hardinge is a remarkable reliquary ring, of admirable workmanship, probably of the tenth century, perhaps Anglo-Saxon, but possibly of Irish (Celtic) origin. It is of gold with very large expanded bezel, cruciform or quatrefoil, 17 in. wide. In the centre is a raised boss, intended, possibly, to contain a relic, as the ring is, no doubt, ecclesiastical; from this radiates four monsters' heads, similar to those on early Irish work, marked with thin lines of niello, the eyes formed of dots of . dark glass pastes, the whole edged with fine corded ornament. In the collection of Mr. R. H. Soden Smith is a reliquary gold ring, having suspended on the bezel side a small gold relic-case, chased with two crosses, and edged with beaded work of the twelfth century.

Mr. Fairholt describes a curious Venetian ring, the bezel formed like a box to contain relics. The face of the ring has a representation of St. Mark seated, holding his gospel and giving a benediction. The spaces between this figure and the oval border are perforated, so that the interior of the box is visible, and the relic enshrined might be seen. Liceti, a Genoese physician of the seventeenth century, who wrote a book on rings, ascribed the want of virtue in medicated rings to their small size, observing that the larger the ring or the gem contained in it, the greater was the effect. He endeavoured to prove that the Philistines, when they were punished for touching the ark of Israel, wore rings on their fingers with the image of the disease engraved on them by way of expiation. The names of the Three Kings of Cologne constituted a popular charm against diseases and evil influences in the Middle Ages. The late Crofton Croker, in his description of the rings in the Londesborough Collection, mentions one dating from the fourteenth, or early in the fifteenth century, Ermelchio Rings of the Magi. engraved outside with these names: Gasper: Melchior: Baltazar: in. God. is. a. r.-the latter words, probably, implying 'in God is a remedy.' The three Kings were supposed to be the Wise Men (according to the legend, three Kings of Arabia) who made offerings to our Saviour. Their bodies travelled first to Constantinople, thence to Milan, and, lastly, to Cologne, by various removals.¹ These 1 The shrine of the Magi, in Cologne Cathedral, dates from the twelfth century. The central subject is the Virgin with the infant Jesus; on the left, the Adoration of the Three Kings, accompanied by the Emperor Otho IV. On the right, the Baptism of Christ by John the Baptist, in presence of an angel. All these figures are of pure gold, and in full relief. The architectural decorations are covered with enamels and precious stones. Above these figures is a cover of silvergilt, on removing which the skulls of the Three Kings are seen, with their names, Gaspar, Melchior, and Balthazar, traced in rubies. The crowns of copper gilt replace those of massive gold, which disappeared during the revolutionary storms. They weighed each six pounds, and were enriched with fine pearls and an aigrette of diamonds. Above the relics is the figure of Christ, as the Judge of men, between two angels, who hold the instruments of the Passion. This reliquary is 5 feet long, by three wide, 5 feet high. It was begun in 1170, and made by order of Archbishop Philip von Heinsberg. In the Rosicrucian theory, Caspar, or Gaspar, is the 'White One;' Melchior is the 'King of Light;' Beltasar, the 'Lord of Treasures.' Balthasar, or Balthazar, is the septuagint spelling of Belshazzar. Talismanic rings and other objects were manufactured largely for sale to the pilgrims at the shrine of the Three Kings.' Mr. Thomas Wright, M.A., has, in his edition of the 'Chester Plays,' described, at length, this popular legend.