The Curious Lore of Precious Stones

Talismans and birth-stones, crystal balls and the High Priest's breastplate — Tiffany's own gem expert gathered every superstition, legend and cure ever credited to a precious stone.

HomeReligious Uses: Pagan, Hebrew, and Christian › Religious Uses: Pagan, Hebrew, and Christian: Cathedral

Religious Uses: Pagan, Hebrew, and Christian: Cathedral

One of the most renowned emeralds in the world surmounted the eleborately jewelled imperial crown that was placed upon the head of the venerated image of the Virgen del Sagrario in the Cathedral of Toledo. This emerald, of a rich green color, was cut as a perfect sphere and measured about 40 millimetres, or 1 1/2 inches, in diameter. The crown itself was the work of the Toledan goldsmith, Don Diego Alejo de Montoya, who began his task in 1574 and devoted twelve years to its completion. It is described as being of almost pure gold and executed in the Renaissance style. Curiously chased in arabesque designs and enamelled in various colors, the framework of the crown served as a magnificent background for the gems constituting its adornment, which comprised rubies, emeralds, and Oriental pearls; a row of angels and cherubs sustained the arches which bore at their summit the allegorical figures of Faith, Hope, and Charity; upon that representing Faith rested the splendid emerald. This precious ornament was still preserved in the Cathedral in 1865, but was so carelessly guarded that it was stolen in 1869, (Jose Ignacio Miro, "Estudio de las piedras preciosas," Madrid, 1870).

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