Finger-Ring Lore

Everything a Victorian antiquary could gather about rings: betrothal and mourning, poison rings and papal rings, the superstitions attached to every stone, and the rings dug from the presumed site of Troy.

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Remarkable Rings: Wheler

An account of the discovery of the ring appeared in the 'Guide to Stratford-on-Avon,' by Mr. Wheler, published in 1814, from which it appears that the ring was found four years previously by a labourer's wife upon the surface of the mill close adjoining Stratford churchyard. I purchased it on the same day,' observes Mr. Wheler, for thirty-six shillings (the current value of the gold), yet the woman had sufficient time to destroy the precious arugo by having it unnecessarily immersed in aquafortis, to ascertain and prove the metal, at a silversmith's shop. It is of tolerably large dimensions (weighing 12 dwts.), and evidently a gentleman's ring of Elizabeth's age.' To prove the authenticity of the ring, Mr. Wheler made many efforts to discover whether there existed anywhere Shakspeare's seal attached to letter or other writings, but ineffectually. 'From a close observation of the ring,' adds Mr. Wheler, 'I should be inclined to suppose that it was made in the early part of the poet's life. Mr. Malone, in a conversation I had with him in London, said he had nothing to allege against the probability of my conjecture as to its owner.' No positive proof, however, according to Mr. Wheler's own admission, can be adduced as to the authenticity of the ring having belonged to Shakspeare, but the very probability gives an interest to it, which most persons who inspect it will feel. 'Is it Shakspeare's?' remarks Mr. Fairholt. 'It is evidently a gentleman's ring, and of the poet's era. It is just such a ring as a man in his station would fittingly weargentlemanly, but not pretentious. There was but one other person in the small town of Stratford at that time to whom the same initials belonged. This was one William Smith, but his seal is attached to several documents preserved among the records of the corporation, and is totally different.' [He was a draper; and his seal has a device upon it consisting of a skull with a bone in the mouth; the letters 'W. S.' are under it, and very small. This ring was, most probably, of silver. It is unlikely that a small trader like Smith should wear a heavy gold ring, like this which claims to be Shakspeare's.] Mr. Halliwell, in his 'Life of Shakspeare,' observes, that 'little doubt can be entertained that this ring belonged to the poet, and, it is, probably, the one he lost before his death, and was not to be found when his will was executed, the word hand being substituted for that of seal in the original copy of that document.' [The concluding words of the will are, 'in witness whereof I have hereunto put my seale,' the last word being struck through with a pen, and hand substituted.] In the 'Gentleman's Magazine' (May 1810) we find:

For further confirmation of circumstances we may observe over the porch leading into the gate of Charlecote Hall, near Stratford-on-Avon, erected in the early part of Elizabeth's reign by the very Sir Thomas Lucy who is said to have prosecuted Shakspeare, the letters "T. L." connected in a manner precisely similar to that on the ring.' The crossing of the centre lines of the W., with the oblique direction of the lines of the S., exactly agree with the characters of that day. For proof, we need wander no farther than Stratford Church, where the Cloptons' and Totness' tombs will furnish representations of rings, and Shakspeare's monument of letters, exactly corresponding Initials of Sir Thomas Hall.

Lucy at Charlecote in point of shape. The connection or union of the letters, by the ornamental strings and tassels, was then frequently used, of which we may meet with numerous instances upon seals of that period. In the life of Haydon the painter we have the following letter from him to Keats (March 1, 1818): 'My dear Keats, I shall go mad! In a field at Stratford-upon-Avon, that belonged to Shakspeare, they have found a gold ring and seal with the initials "W. S." and a true lover's knot between. If this is not Shakspeare's whose is it? - a true lover's knot! I saw an impression to-day and am to have one as soon as possible: as sure as you breathe and that he was the first of beings the seal belonged to him. 'O Lord!' 'B. R. HAYDON.' The ring of Sir Walter Raleigh, which he wore at the time of his execution, is, according to the statement in 'Notes and Queries' of a descendant of that truly 'great' man, in the possession of a member of the Blanckley family, being a heir-loom, the Blanckleys being directly descended from Sir Walter, and having several interesting relics of their distinguished ancestor. 6 Octavius Morgan, Esq., F.R.S., F.S.A., exhibited at a meeting of the Society of Antiquaries (February 1857) a rare and curious 'Trinity' ring, turned out of one piece of ivory, and belonging to the latter part of the seventeenth century. It is formed by a single band of ivory, making three circuits, so intertwined with one another as not to touch, and thus forming a threefold ring. Its curiosity is great,' remarked Mr. Morgan, 'because these rings were only made by one person; so much art and skill were required in the making that they were the wonder of the time, and no one at the present day knows by what contrivance they were turned, or how they could now be made. The interest consists in having ascertained the maker of the ring, which I by chance met with some years ago in this city. We find from Doppelmayer that Stephan Zick (born 1639), the artist to whom I attribute this ring, was descended from a Nuremberg family long famous for their skill in this art. ... ..

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